In a clearing on the side of a mountain sits a little village, with a church in the center surrounded by houses and cottages and barns. Warm lights shine from the windows and colored lights spangle two of the bare winter trees. In front of the church in the middle sits a bright Nativity scene and the village Christmas tree, as the lights within the church send the stained glass patterns streaming out in jeweled colors on the snow. Nearby a family of snowmen are toasting marshmallows over a bonfire.

“Entering by a wide gateway into an inner court, surrounded on all sides by great marble pillars supporting galleries above, I saw a large fountain of porphyry in the middle, throwing up a lofty column of water, which fell, with a noise as of the fusion of all sweet sounds, into a basin beneath; overflowing which, it ran into a single channel towards the interior of the building. It led to a great open door, beneath the ascending steps of which it ran through a low arch and disappeared. Although the moon was by this time so low in the west, that not a ray of her light fell into the court, over the height of the surrounding buildings; yet was the court lighted by a second reflex from the sun of other lands. For the top of the column of water, just as it spread to fall, caught the moonbeams, and like a great pale lamp, hung high in the night air, threw a dim memory of light (as it were) over the court below. This court was paved in diamonds of white and red marble.”

— Phantastes, by George MacDonald

“I went on my silent path beneath a round silvery moon. And a pale moon looked up from the floor of the great blue cave that lay in the abysmal silence beneath. Gigantic forest trees were about me; through which, like a silver snake, twisted and twined the great river. The sleeping woods, in undefined massiveness; the water that flowed in its sleep; and, above all, the enchantress moon, which had cast them all, with her pale eye, into the charmed slumber, sank into my soul, and I felt as if I had died in a dream, and should never more awake. The stream bore my little boat with a gentle sweep round a bend of the river; and lo! on a broad lawn, which rose from the water's edge with a long green slope to a clear elevation from which the trees receded on all sides, stood a stately palace glimmering ghostly in the moonshine: it seemed to be built throughout of the whitest marble.”

— Phantastes, by George MacDonald

“I particularly noticed some tall lilies, which grew on both sides of the way, with large dazzlingly white flowers, set off by the universal green. It was now dark enough for me to see that every flower was shining with a light of its own. Indeed it was by this light that I saw them, an internal, peculiar light, proceeding from each, and not reflected from a common source of light as in the daytime. This light sufficed only for the plant itself, and was not strong enough to cast any but the faintest shadows around it, or to illuminate any of the neighbouring objects with other than the faintest tinge of its own individual hue.

“A little forest of wild hyacinths was alive with exquisite creatures, who stood nearly motionless, with drooping necks, holding each by the stem of her flower, and swaying gently with it, whenever a low breath of wind swung the crowded floral belfry.

“In darker nooks, by the mossy roots of the trees, or in little tufts of grass, each dwelling in a globe of its own green light, glowed the glowworms. I saw great strong-armed beetles, hurrying about with most unwieldy haste, looking apparently for glowworms; for the moment a beetle espied one, it pounced upon it, and bore it away, in spite of its feeble resistance.… It then took the glowworm and held its luminous tail to the dark earthly pellet; when lo, it shot up into the air like a sky-rocket. Just like a rocket too, it burst in the air, and fell in a shower of the most gorgeously coloured sparks of every variety of hue; golden and red, and purple and green, and blue and rosy fires crossed and inter-crossed each other, beneath the shadowy heads, and between the columnar stems of the forest trees.

“In other parts, the whole of the immediately surrounding foliage was illuminated by the interwoven dances in the air of splendidly coloured fire-flies, which sped hither and thither, turned, twisted, crossed, and recrossed, entwining every complexity of intervolved motion. Here and there, whole mighty trees glowed with an emitted phosphorescent light. You could trace the very course of the great roots in the earth by the faint light that came through; and every twig, and every vein on every leaf was a streak of pale fire.

“The moon was high enough to send a great many of her rays down between the trees, and these rays were unusually bright, and sight-giving.”

— Phantastes, by George MacDonald

“Silence was pleased: now glowed the firmament
With living sapphires: Hesperus that led
The starry host, rode brightest, till the Moon
Rising in clouded Majesty, at length
Apparent queen unveiled her peerless light,
And o're the dark her Silver Mantle threw.”
— Paradise Lost

I created this picture in Vue to use for a mural on my bedroom wall.

Waxing crescent, first quarter, waxing gibbous, full moon, waning gibbous, third quarter, waning crescent. You'll have to imagine the new moon …

The celestial orchard where stars and moons are grown. Created entirely in Paint Shop Pro. I'd had the idea for this image in my mind for a while, and finally got around to making it. I got a lot of practice with the pen tool, and these tree shapes might show up again.

I used Terragen for this mountain-scape. No plants or other objects, but I was able to use the terrain coloring to suggest vegetation and rocks. It makes me think of Yosemite National Park. All three mountains bear some resemblance to the Half Dome there.