“The sky was pure, flat gold like the background of a medieval picture. The ocean was gold too, in the offing, flecked with innumerable shadows. The nearer waves, though golden where their summits caught the light, were green on their slopes: first emerald, and lower down a lustrous bottle green, deepening to blue where they passed beneath the shadow of other waves.… Far below him in a vast, momentary valley he saw the thing that had missed him. It was an irregularly shaped object with many curves and re-entrants. It was variegated in colour like a patch-work quilt-flame colour, ultramarine, crimson, orange, gamboge, and violet. It sat to the water like a skin, curving as the water curved. It took the wave's shape at the top, so that for a moment half of it was already out of sight beyond the ridge and the other half still lying on the higher slope. This thing might have been thirty acres or more in area.… And that is the nature of the floating islands of Perelandra.”
—Perelandra, Chapter 3 by C.S. Lewis

I love playing with water and other refractive materials in the sunlight.

“The Lord is my light and my salvation.”
Psalm 27:1

I thought a lighthouse scene would be appropriate for Easter.

This was part of a three-part color series I created back in 2011. The backgrounds are from fractals, put together in Paint Shop Pro.
Green As the Grass
Red As the Flame

A lone ship tossed on a stormy sea. Created in Vue.

“It glittered like polished gold overlaid with silver light, and a white stone in it twinkled as if the Even-star had come down to rest upon her hand.”
- The Lord of the Rings, Book II, Chapter 7

This is my stylized version of Nenya, the ring of water, one of the three Elvin-rings. The background is an Apophysis fractal, the rest was drawn in Paint Shop Pro.