“I will end my story with the relation of an incident which befell me a few days ago. I had been with my reapers, and, when they ceased their work at noon, I had lain down under the shadow of a great, ancient beech-tree, that stood on the edge of the field. As I lay, with my eyes closed, I began to listen to the sound of the leaves overhead. At first, they made sweet inarticulate music alone; but, by-and-by, the sound seemed to begin to take shape, and to be gradually moulding itself into words; till, at last, I seemed able to distinguish these, half-dissolved in a little ocean of circumfluent tones: ‘A great good is coming—is coming—is coming to thee, Anodos;’ and so over and over again. I fancied that the sound reminded me of the voice of the ancient woman, in the cottage that was four-square. I opened my eyes, and, for a moment, almost believed that I saw her face, with its many wrinkles and its young eyes, looking at me from between two hoary branches of the beech overhead. But when I looked more keenly, I saw only twigs and leaves, and the infinite sky, in tiny spots, gazing through between. Yet I know that good is coming to me—that good is always coming; though few have at all times the simplicity and the courage to believe it. What we call evil, is the only and best shape, which, for the person and his condition at the time, could be assumed by the best good. And so, Farewell.”

— Phantastes, by George MacDonald

I love playing with water and other refractive materials in the sunlight.

“When we are born, we cry that we are come
To this great stage of fools”
—King Lear

I had been to an opera, and one of the acts opened with these multicolored spotlights and three lanterns. I decided to recreate a scene like that for April Fool's Day, and the colors made me think of a harlequin or jester's motley costume.

This was inspired by M.C. Escher's Still Life and Street, with a medieval twist.

A fantasy winter landscape created in Vue. I wanted a winter scene that focused mainly on the landscape but was obviously fantasy. This was also an experiment in working with snow, getting it to sparkle and reflect the light for an “other-worldly” effect. It was an extremely long render on account of all the lights and reflective and translucent surfaces, but I was able to just run it in stops and starts over about a month.

Someone's up late on this medieval night.

I used Terragen to make this landscape. Since the software didn't allow for any objects, in order to get this castle and bridge I had to shape them out of the landscape as well.

This image was made in Terragen. The castle and moat had to be shaped out of the landscape since adding other objects wasn't an option. I thought it turned out pretty believable considering the limitations of the software.