A walk in the birch woods. I created this for an Autumn Colors 3D landscape contest. I used a different method of rendering the lighting which took longer to calculate (basically that's what 3D rendering does, the software calculates the light that would come from every point of the scene through the virtual camera lens), but I loved how warm and soft it made the scene.

Silent Light
Fool's Light
Bluebell Light

It looks nice for a picture, but it's a pain when you're out walking! This took over a week to render (at a larger size than this), mainly because of the blurring.

I had been doing some pretty colorful pieces, so I thought it would be good to focus on light and shadow for a change. This is a closeup photograph of an orange rose, but I took away all the color except for the water droplets.

I wanted to do something with lots of jewel tones. Created entirely in Paint Shop Pro.

Just playing with flowers and depth of field in Vue.

I don't use yellow very often, so I thought I'd try it on a rose. This is the same rose model that I used in Blue Rose. I created a silky yellow and orange material with some translucency in Vue.

The sunny cheerfulness of the yellow rose is often used to symbolize friendship and warm affection.

This was part of a three-part color series I created back in 2011. The backgrounds are from fractals, put together in Paint Shop Pro.
Blue As the Sea
Red As the Flame

I made two 3D renders of this virtual chandelier model in Vue, this warm "sunset" version, and another with cool evening lighting that I called Twilight in Crystal.

This was an experiment in digital reflections and refractions.

“‘Down there,’ said Golg, ‘I could show you real gold, real silver, real diamonds.’

“‘Bosh!’ said Jill rudely. ‘As if we didn't know that we're below the deepest mines even here.’

“‘Yes,’ said Golg. ‘I have heard of those little scratches in the crust that you Topdwellers call mines. But that's where you get dead gold, dead silver, dead gems. Down in Bism we have them alive and growing. There I'll pick you bunches of rubies that you can eat and squeeze you a cup full of diamond-juice. You won't care much about fingering the cold, dead treasures of your shallow mines after you have tasted the live ones of Bism.’”
— C.S.Lewis, “The Chronicles of Narnia: The Silver Chair”, Chapter 14, “The Bottom of the World”