“I fancied I saw a thin blue smoke rising amongst the stems of larger trees in front of me; and soon I came to an open spot of ground in which stood a little cottage, so built that the stems of four great trees formed its corners, while their branches met and intertwined over its roof, heaping a great cloud of leaves over it, up towards the heavens. The cottage, I now saw, was built of the stems of small trees set closely together.…

“I had just time to see, on the edge of the denser forest, a single large ash-tree, whose foliage showed bluish, amidst the truer green of the other trees around it. A shadow as of a large distorted hand passed slowly over the little blind, and then as slowly returned in the opposite direction.

“‘He dares not come nearer than he is now, for any of those four oaks, at the corners of our cottage, would tear him to pieces; they are our friends. But he stands there and makes awful faces at us sometimes, and stretches out his long arms and fingers, and tries to kill us with fright; for, indeed, that is his favourite way of doing. Pray, keep out of his way to-night.’”

— Phantastes, by George MacDonald

“I lay and looked through the eastern window of my room. The curtains of pale blue silk fell like a cataract over the windows. A large green marble basin, which stood on a low pedestal in a corner of my room, was overflowing like a spring, and a stream of clear water was running over the carpet. And where this carpet, which I had myself designed to imitate a field of grass and daisies, bordered the course of the little stream, the grass-blades and daisies seemed to wave in a tiny breeze that followed the water's flow.

“My dressing-table was of black oak, with drawers all down the front. These were elaborately carved in foliage. I happened to fix my eye on a little cluster of ivy-leaves. The first of these was evidently the work of the carver; the next looked curious; the third was unmistakable ivy. I saw that the branches and leaves designed upon the curtains of my bed were slightly in motion. Springing from the bed, my bare feet alighted upon a cool green sward; and I found myself under the boughs of a great tree, whose top waved in the golden stream of the sunrise with many interchanging lights.

“Faint traces of a footpath, much overgrown with grass and moss, were discernible along the right bank. ‘This,’ thought I, ‘must surely be the path into Fairy Land”.’

— Phantastes, by George MacDonald

“Beyond them was a wide level space, as though the floor of a great hall had been cut in the side of the hill…, and along each wall stood an aisle of trees.… At the far end the rock-wall was sheer, but at the bottom it had been hollowed back into a shallow bay with an arched roof: the only roof of the wall, save the branches of the trees…. A little stream … fell tinkling down the sheer face of the wall, pouring in silver drops, like a fine curtain in front of the arched bay.

“Treebeard lifted two great vessels and stood them on the table. They seemed to be filled with water, but he held his hands over them, and immediately they began to glow, one with a golden and the other with a rich green light;… Looking back, the hobbit saw that the trees in the court had also begun to glow … until every leaf was edged with light: some green, some gold, some red as copper.”
— The Lord of the Rings, Book III, Chapter 4: Treebeard

Don't follow the lights!
This is another version of my birch woods scene.

Silent Light
Bluebell Light
Falling Light

A cold and barren landscape doesn't have to be grim. I did a phoenix-like abstract work before, so I thought an ice phoenix would be an interesting variation. Created in Vue, with the streaming effect done in Paint Shop Pro. The texture on the phoenix is from the background of Waltz of the Snowflakes.

A fantasy winter landscape created in Vue. I wanted a winter scene that focused mainly on the landscape but was obviously fantasy. This was also an experiment in working with snow, getting it to sparkle and reflect the light for an “other-worldly” effect. It was an extremely long render on account of all the lights and reflective and translucent surfaces, but I was able to just run it in stops and starts over about a month.