“I lay and looked through the eastern window of my room. The curtains of pale blue silk fell like a cataract over the windows. A large green marble basin, which stood on a low pedestal in a corner of my room, was overflowing like a spring, and a stream of clear water was running over the carpet. And where this carpet, which I had myself designed to imitate a field of grass and daisies, bordered the course of the little stream, the grass-blades and daisies seemed to wave in a tiny breeze that followed the water's flow.

“My dressing-table was of black oak, with drawers all down the front. These were elaborately carved in foliage. I happened to fix my eye on a little cluster of ivy-leaves. The first of these was evidently the work of the carver; the next looked curious; the third was unmistakable ivy. I saw that the branches and leaves designed upon the curtains of my bed were slightly in motion. Springing from the bed, my bare feet alighted upon a cool green sward; and I found myself under the boughs of a great tree, whose top waved in the golden stream of the sunrise with many interchanging lights.

“Faint traces of a footpath, much overgrown with grass and moss, were discernible along the right bank. ‘This,’ thought I, ‘must surely be the path into Fairy Land”.’

— Phantastes, by George MacDonald

April 1, 2021

“Beyond them was a wide level space, as though the floor of a great hall had been cut in the side of the hill…, and along each wall stood an aisle of trees.… At the far end the rock-wall was sheer, but at the bottom it had been hollowed back into a shallow bay with an arched roof: the only roof of the wall, save the branches of the trees…. A little stream … fell tinkling down the sheer face of the wall, pouring in silver drops, like a fine curtain in front of the arched bay.

“Treebeard lifted two great vessels and stood them on the table. They seemed to be filled with water, but he held his hands over them, and immediately they began to glow, one with a golden and the other with a rich green light;… Looking back, the hobbit saw that the trees in the court had also begun to glow … until every leaf was edged with light: some green, some gold, some red as copper.”
— The Lord of the Rings, Book III, Chapter 4: Treebeard

October 22, 2020

“The sky was pure, flat gold like the background of a medieval picture. The ocean was gold too, in the offing, flecked with innumerable shadows. The nearer waves, though golden where their summits caught the light, were green on their slopes: first emerald, and lower down a lustrous bottle green, deepening to blue where they passed beneath the shadow of other waves.… Far below him in a vast, momentary valley he saw the thing that had missed him. It was an irregularly shaped object with many curves and re-entrants. It was variegated in colour like a patch-work quilt-flame colour, ultramarine, crimson, orange, gamboge, and violet. It sat to the water like a skin, curving as the water curved. It took the wave's shape at the top, so that for a moment half of it was already out of sight beyond the ridge and the other half still lying on the higher slope. This thing might have been thirty acres or more in area.… And that is the nature of the floating islands of Perelandra.”
—Perelandra, Chapter 3 by C.S. Lewis

September 5, 2020

Is this the Ship of Dreams?

March 3, 2020

This is a night version of one of my favorite scenes—Glittering Caves of Aglarond

“Immeasurable halls, filled with an everlasting music of water that tinkles into pools. Gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hand of Queen Galadriel. There are columns of white and saffron and dawn-rose, fluted and twisted into dreamlike form, they spring up from many-colored floors to meet the glistening pendants of the roof; wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them; a glimmering world looks up from dark pools covered with clear glass.”
—The Lord of the Rings, Book III, Chapter 8

October 13, 2017

“Immeasurable halls, filled with an everlasting music of water that tinkles into pools. Gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hand of Queen Galadriel. There are columns of white and saffron and dawn-rose, fluted and twisted into dreamlike form, they spring up from many-colored floors to meet the glistening pendants of the roof; wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them; a glimmering world looks up from dark pools covered with clear glass.”
— The Lord of the Rings, Book III, Chapter 8

I worked on this picture off and on for several months, and I finally got it where I wanted it. This is my 3D digital artwork, not a photograph. Created in Vue Complete 2014.

March 15, 2016

“Silence was pleased: now glowed the firmament
With living sapphires: Hesperus that led
The starry host, rode brightest, till the Moon
Rising in clouded Majesty, at length
Apparent queen unveiled her peerless light,
And o're the dark her Silver Mantle threw.”
— Paradise Lost

I created this picture in Vue to use for a mural on my bedroom wall.

February 16, 2016

This is a reverse of Pass of Light; I basically just turned the (virtual) camera around. It didn't take nearly as long to render without the glowing translucent castle in the background.

January 1, 2016

A cold and barren landscape doesn't have to be grim. I did a phoenix-like abstract work before, so I thought an ice phoenix would be an interesting variation. Created in Vue, with the streaming effect done in Paint Shop Pro. The texture on the phoenix is from the background of Waltz of the Snowflakes.

December 30, 2015

A fantasy winter landscape created in Vue. I wanted a winter scene that focused mainly on the landscape but was obviously fantasy. This was also an experiment in working with snow, getting it to sparkle and reflect the light for an “other-worldly” effect. It was an extremely long render on account of all the lights and reflective and translucent surfaces, but I was able to just run it in stops and starts over about a month.

December 21, 2015