I used Terragen to make this landscape. Since the software didn't allow for any objects, in order to get this castle and bridge I had to shape them out of the landscape as well.

Lake Nojiri near Nagano, Japan. This is where my family used to go on vacation in the summer and sometimes winter, and I took this picture there, probably around Christmas of 2000. Although it wasn't cold enough to form much ice on the lake, because it was in the Japanese Alps there was usually a lot of snow in the winter.

This is the kind of day to stay inside and drink something hot while you look out the window at the winter landscape. If that sleet and black ice don't make the indoors more inviting, I don't know what does!

This is the third variation of this scene,
Clouds Go Sailing By
Clear Autumn Day

A simple Christmas desktop made in Vue. I like to reuse my abstract designs as textures, so the sky texture comes from Chaos Tie-Dyed, and the red and gold balls from Rubies & Gold.

A fantasy winter landscape created in Vue. I wanted a winter scene that focused mainly on the landscape but was obviously fantasy. This was also an experiment in working with snow, getting it to sparkle and reflect the light for an “other-worldly” effect. It was an extremely long render on account of all the lights and reflective and translucent surfaces, but I was able to just run it in stops and starts over about a month.

I originally made this nice chilly abstract to start out 2012.

A nice snowy design to celebrate winter. The title is from Tchaikovsky's Nutcracker Suite. The background fractal is from Apophysis, jewels rendered in Vue, the rest in Paint Shop Pro.

A cold and barren landscape doesn't have to be grim. I did a phoenix-like abstract work before, so I thought an ice phoenix would be an interesting variation. Created in Vue, with the streaming effect done in Paint Shop Pro. The texture on the phoenix is from the background of Waltz of the Snowflakes.

This is a reverse of Pass of Light; I basically just turned the (virtual) camera around. It didn't take nearly as long to render without the glowing translucent castle in the background.

I did this piece for the E-On Software 3D Environment Competition 2012. It was inspired by a visit to my grandfather's timber farm. I wanted to capture the cool blue mistiness of the woods on a cold morning.

Christmas in the Pines