I like the word “cwm”, the way it's spelled and the way it sounds as well as the meaning. I would love to have a solitary retreat in a cwm like this. But this is my digital artwork, not a real place.

Concerto: a composition for one or more principal instruments, with orchestral accompaniment.

This was actually inspired by an Easter picture I saw, but it took me about 6 months to finish it.

If you were to lie down on the ground under the cherry tree you would see April Showers.

Another scene in the birch wood, to celebrate spring.

Falling Light
Silent Light
Fool's Light

Don't follow the lights!
This is another version of my birch woods scene.

Silent Light
Bluebell Light
Falling Light

This is a winter version of Falling Light. I was particularly focusing on the colors and depth of the snow, inspired by a picture from a calendar - Long Forgotten by Michael Humphries.

Falling Light
Fool's Light
Bluebell Light

A walk in the birch woods. I created this for an Autumn Colors 3D landscape contest. I used a different method of rendering the lighting which took longer to calculate (basically that's what 3D rendering does, the software calculates the light that would come from every point of the scene through the virtual camera lens), but I loved how warm and soft it made the scene.

Silent Light
Fool's Light
Bluebell Light

This is a reverse of Pass of Light; I basically just turned the (virtual) camera around. It didn't take nearly as long to render without the glowing translucent castle in the background.

A fantasy winter landscape created in Vue. I wanted a winter scene that focused mainly on the landscape but was obviously fantasy. This was also an experiment in working with snow, getting it to sparkle and reflect the light for an “other-worldly” effect. It was an extremely long render on account of all the lights and reflective and translucent surfaces, but I was able to just run it in stops and starts over about a month.

Frodo and his friends are leaving the Shire secretly by going west into the Old Forest, instead of north to the road. The Forest is reached through a break in the Hedge used to keep the unfriendly trees out of the Shire …

“It had walls of brick at the sides, which rose steadily, until suddenly they arched over and formed a tunnel that dived deep under the Hedge and came out in the hollow on the other side.

“It was dark and damp. At the far end it was closed by a gate of thick-set iron bars. On the far side was a faint path leading up on to the floor of the Forest; but it vanished as soon as it brought them under the trees.”
— The Lord of the Rings, Book I, Chapter 6